Friday, April 26, 2013
A Day in the Life of Wildaliz
Recently
while riding on a school bus, I noticed a particularly entertaining name above
one of the seats. On a lot of those buses, there are little bits of paper above
the seat with the names of the kids that sit there. It’s entertaining to see
how many different ways people can try to spell Cameron. A friend pointed out a
name above me that caught my attention: “Wildaliz.” Now most people know
there’s a certain character to people who will give their kids crazy names, but
it takes a special kind of that weird character to not only come up with that
name, but to actually give it to their kid. I can only imagine what kind of
messed up life that kid must have.
Having
strange characters in your life can certainly affect your development, but I
think to have them that strange is something else. I imagine living in that
kid’s world is a lot like being on acid in Disney World at times. I can see him
starting his day, eating his mom’s original homemade breakfast called the
Sharauquia and drinking her original homemade smoothie called the Caldelabra.
He waves goodbye to his sister, Coronalanaseladanista, and gets onto his bus to
sit under that little note that reads “Wildaliz.” He gets to school, and his
substitute teacher absolutely cannot figure out how to pronounce his name.
“Will-da-liz?”
“No.”
“Wild-a-liz?”
“No.”
“Wild-a-leez?”
“No.”
I’d
like to be able to tell you how that dialogue ends, but I don’t know how you
would actually pronounce it.
Wildaliz
continues his day, then he gets a phonecall from his mom at school.
“I
need you to come home and watch yo sista because I gotta go help yo aunt
Sailioly wit her may-an problems.”
Now
he’s at home, he’s got nothing to do, and he’s hungry. He decides to look through
the kitchen for some food, but he’s not in the mood for Shlorkdekollyoly,
Colobiblioke, or Roliwuldeielly. And that’s all they have!
So
Wildaliz decides he should run to the store for some normal food. He thinks his
mom won’t be back before him, so he should be okay. He brings the two crumpled
and mashed up dollars he has to the store to get a hot pocket or something like
that. Unfortunately for him, he ends up getting to the store as it’s being
robbed the third time that week. The crazy Sudanian Immigrant who owns the
store runs out and blames Wildaliz for being the first thing he saw.
When the police
show up Wildaliz tries to give them his real name, but they think he’s trying
to be smart and give them some gibberish instead of his real name.
“I told you, my
name is Wildaliz.”
“Don’t get smart
with me kid, what’s your real name?”
He gives up and
gives them his mom’s phone number. Once the police work out that the store
owner has never accused the right person of robbing his store once in his life,
Wildaliz is free to go.
“You left widdout
no permission, Wildaliz? I swear you ain’t gonna get no Shaloppy or Kerogelossy
for a week!”
Wildaliz is forced
to eat normal food for a while, which ends up actually being a real treat. That
accidental system that rewards him when he gets in trouble is the one that
leads to his eventual gang affiliation, drug use, and death. Maybe he would
have been a good kid otherwise. Or maybe Wildaliz just has a couple quirks to
his life, and it doesn’t actually get that extreme. That explanation’s no fun
though.
If you don’t think
that’s like being at Disney World on acid, you’ve obviously never been to
Disney World on acid. I’m not saying I have, I’m just saying that if you have
been to Disney World on acid, you lose the ability to think anything is
impossible, ever.
Monday, April 8, 2013
Of Mus Musculi and Homo Sapiens
Roger
Sallis and Jason Pierce are fresh out of high school, and want to become
filmmakers. They move to Los Angeles and get jobs working on a film set to gain
experience. Roger is big and dumb. They both like movies that they think are
really deep. They both like to wear skinny jeans, thick-rimmed glasses, and
flannel shirts. They want to try and work on their own independent films in
their spare time; while also trying to change the ones they work on
professionally for what they think is better.
Roger
and Jason are new on a set, after being fired from their old one, because Roger
tried to add a big speech at the end of the movie. They meet the crew and get
to work.
They
get home to their tiny apartment and publish their newest movie online. They
gain no popularity. They talk about the day when they get their big break
online, and they can quit their jobs and work on their movies full time for a
living. And Roger will buy a hare. Not a rabbit, a hare.
They
get back to work the next day. They’re still a little bummed out by the turnout
of their movie. They go on about how nobody appreciates ‘real’ movies anymore. They get home and watch a movie that nobody’s
heard of before, have a conversation about ‘real’ movies.
Problems
begin to arise on the set they’re working at. The female lead is demanding more
cherries and her husband is having conflict with the male lead. They get in a
fight, knock over some expensive equipment. Roger and Jason try to break it up,
but accidently knock over more equipment and end up with black eyes and an even
bigger pile of broken equipment. The director yells at everybody and they all
go home early.
Roger
and Jason fear that they’re going to lose another job. At home, they start
working on making a quick movie over the weekend to try and impress their boss
to get him to keep them around. It’s about a guy’s life, from the point of view
of various insects. They upload it online. It’s watched six times. Three of them were
Roger and Jason.
They
show up to work and try to show the director their movie. He’s too busy to
watch it. They get really pushy. He yells at them. Later on his break they
surprise him and try to make him watch it. He hates it. He says it’s stupid, that
there’s no point in doing the insect thing, and that he wants them gone by the
end of the week. They scream and roll around and Roger poops himself a little
bit. Jason waits in line for a new phone and gets mugged. He yells at his
muggers about how he doesn’t care about anything. They take his skinny jeans.
He sits and thinks for a while, and decides that there’s no way this could be
his fault, that it must be Roger’s fault again. He goes back to the set and
puts on a pair of hot pants he stole from the costume rack.
He
shows up in front of the director in the middle of the scene. He tells the
director that Roger alienated the male lead and the female lead’s wife, causing
the fight, and that he knocked over the film equipment and dragged Jason into
the fight. The director has no time to
evaluate the statement and tells Jason to go fire Roger for him.
Jason
somehow thinks this means he gets to keep his job. He makes up some nonsense
about how Roger made a movie about punching babies, and rallies some of the
film crew to find Roger. They walk around trying to find him and get
mugged. The muggers take everybody’s
skinny jeans and Jason’s hot pants. They
tail the muggers and find out that they’re baristas who work at Starbucks.
They’ve been mugging people for their skinny jeans. And they find Roger sitting
in the corner, drinking some coffee. He’s at a chain coffee place. He’s a
traitor. The pantsless film crew and
Jason drag Roger into an alley and beat him mercilessly for two hours. He gets
a few minor scrapes and bruises. Jason cries and tells Roger that he’s sorry
but he’s fired. The film crew and Jason go lose a slam poetry battle against
the baristas.
Meanwhile,
Roger gets depressed and tries to make an angsty dogma in an abandoned nursery
home with some girl. She’s naked and steps on some broken glass. She gets
roger’s HIV from the glass. It turns out he stepped on it too earlier, and he’s
HIV positive. Roger Sallis is HIV
positive. He becomes a depressed mess and accidently kills a prostitute. He
moans and cries and walks around and gets mugged for his skinny jeans while
he’s waiting in line for a tablet.
Roger
and Jason don’t find each other again for a while. One day Jason is walking
through a mall, and he spots Roger working in a store. He’s not wearing skinny
jeans, he’s not wearing thick-rimmed glasses, and he’s not even wearing a
flannel. Jason talks to Roger. Roger listens to music people have heard of.
Jason screams “MY BEST FRIEND IS DEAD!” He runs out crying.
A Deer in the Headlights
You’re
not a party guy. You like to hang out and drink with your friends, but you
don’t like parties. Too many people you don’t know, you end up standing there
like a statue because everybody you know is in a conversation with someone they
know and you don’t. You look around, watch the beer pong table that you can’t
join because the same guys were there all night. You try to pretend like you’re
included in your friend’s conversation even though you can’t hear a thing.
You’ve accepted it. You’ve decided you’re just not a party guy. That’s fine.
You can spend your night at home, just hanging out with friends, or playing
some video games. Your friends still try to get you to go to parties though,
and every once in a while you end up at one. And every time it happens you know
it’s going to be an ordeal for you.
“Come
on! Don’t be weird, come to the party, be social for once,” Charlie told you.
You’re social. You just don’t like parties.
“I
don’t want to. I don’t like parties,” you tell him.
“That’s
because you’re awkward. You need to learn to talk to people. You can only get
better if you try.”
“I
don’t want to. I told you, I don’t like parties. It has nothing to do with me
being social or not.”
“So
you’d rather sit at home, play video games, jerk off, and go to bed, than hang
out with your friends?”
“It’s
not that I don’t like my friends. I don’t like parties. Besides I’ll only know
like three out of the fifty or however many people are there.”
“Well
then come meet some new people. I won’t leave you alone till you say yes.”
“Fuck
you.”
“That
doesn’t make me want to leave. Are you going?”
“No.”
He
leans over you and starts breathing directly on your neck to try and annoy you.
You say nothing. He stands up, and starts doing some dumb fake stretch to shove
his crotch in your face.
“Fine,
just get the fuck out, I need to finish my homework.”
“You
can’t take that back!”
He
left, finally. The party can’t be that bad. At least you won’t have to see any
of the people at it afterwards, so it really doesn’t matter if you get
embarrassed. Fuck it, you should just act like a fucking idiot, because fuck
that party.
You
sit in the back seat of Charlie’s car, next to Jason, with Tyler riding
shotgun. You’re just going to have a couple drinks, pretend to be the lightest
lightweight to ever live, and act like you’re shitfaced. Then you can just be
an idiot all night and go home.
You
and your friends get there. Charlie says hi to half the people you pass. You go
with Tyler to the table with all the drinks. You just sit there drinking for
about ten minutes talking to Tyler, and Jason too once he showed up. Charlie returns
with some chick he went to high school with, and introduces her to everybody.
You just sit there, silently drinking. After another twenty or thirty minutes
you’ve had enough to make the lightweight you’re pretending to be get pretty
drunk. You go over to the room where everybody’s dancing to some shitty song
and stand on a chair.
“I
am the queen of France!” you yell. That was the first thing you thought of.
Everybody looks at you.
“What
are your orders, your majesty?” some voice in the crowd says.
“You!”
you yell, pointing to a random spot in the crowd. “You’re sentenced to death at
the guillotine!” The person you ended up point at starts walking out of the
crowd towards y- holy shit she’s fucking hot. You suddenly become more
conscious of what you’re doing.
“What
did I do?” she asks playfully.
“You
stole! We put thieves to death here in France!”
“No!
I don’t want to die! I don’t know what I stole!”
“You
stole my heart!” you say, slurring your words even more than you’ve been.
“Well,
you can’t have it back! It’s mine,” she
says. At this point most of the people in the room are ignoring you. You jump
down and go over to her.
“Please,
I need my heart! I need it to pump blood!”
“Maybe
I’ll give it back later.”
Okay,
this is getting out of hand. You just wanted to be dumb, and now this smoking
hot chick is talking to you. You’re not even really drunk. You can actually
hold your liquor pretty well.
“But
if you want it back, you have to do what I say. Now follow me, let’s go get a
drink,” she says.
You follow her
back to the drinks; your friends are nowhere to be found. She gets one for both
of you. You go back over to the area
with the dancing and shitty music with her. She wants to dance with you, but
you can’t dance. Maybe you can be an idiot. You got her talking to you by being
an idiot; maybe you should do it again. You start dancing like the biggest
retard in the state. She laughs at you; she thinks it’s cute. You can’t believe
this is working. Some guy shows up and starts talking to her, and she talks
back to him. Once you realize you’re slipping away from her, you decide you
have to assert your dominance. You walk backwards into the guy, facing the
girl. You act like you’re doing it in a joking way, so she laughs. The guy
tries to get back into the conversation, but you keep standing half in front of
him, and he’s gone in a few minutes.
You end up in a
beer pong game with her, and you only end up having one beer, because she’s
spectacular at beer pong for some reason. You win and she jumps on you. Before
her feet touch the ground again there are different people at the table. You walk away with her. You end up outside,
behind the house. There’s a pool with no people in it. If the hot chick likes
you being stupid then you’re going to be a fucking idiot.
“Why is this pool
empty?” You yell out to the people outside. “Pools are awesome, why doesn’t
anybody want to swim?” She’s laughing. You start taking your clothes off, and
you jump into the pool in your underwear. She laughs her ass off, almost
falling down. As soon as your head is above water again you hear other
splashes. Before long the pool is crowded and you climb out to say hi to the
girl again. You don’t even know her name.
“I’m Connor, by
the way” you tell her.
She laughs. “I’m Lana.
It’s nice to meet you, Connor.”
You put your
clothes back on.
“I’m hungry,” she
says. “Can we get out of here and get some food?”
“Sure,” you say
without thinking. You remember that this party is about 40 minutes from your
house, and you’re about to leave your friends behind. That doesn’t really
matter though. You and Lana start walking to a diner to have some food. You
just listen to her talk about everything in her head the whole time. You get
there and share a giant pile of eggs, pancakes, and bacon with her. The check
comes.
“I don’t have any
money,” she says.
“It’s fine. I
think I’ve got it,” you say, as you check your wallet. You have ten dollars,
and the check is thirty. You might as well leave a nice tip if you’re going to
walk out on the check.
“Go, hurry up,” you
say between laughs as you leave with her. You get out, both of you laughing.
“Let’s go,” you tell her, trying to get out of sight of the diner.
“We should drink
more,” she says. “Are there any liquor stores open?”
“It’s like, one in
the morning. I think they have to close earlier than that,” you tell her.
“The party’s so
far away. What will we do?”
You smile. “Follow
me, I’ll take care of us.” You take her hand and lead her towards the first
liquor store you spot. You tell her to wait right around the corner. She knows
what you’re going to do and she’s pretending that she doesn’t. She’s playfully
asking as you turn the corner. You cover your face, grab a rock, and smash the
window on the liquor store. An alarm goes off right away, and you jump in. You
grab the first thing you see and jump back out and run around the corner.
“Go, go, go.” You
say, laughing with her. She thinks it’s cute and funny that you’re doing these
crazy things with her. You can’t stop looking at her, her dark red hair shining
in the moonlight. Once you’re a few blocks away you stop and sit at a
playground with her. You just now realize you stole some fancy-ass expensive wine.
You and her share it; she drinks most of it. She’s all over you by the time you
finish it, half from flirting, half from just using you to stay standing. You
can’t stop thinking about how adorable it is.
“Do you have a
condom?” she asks. You don’t.
“We can get some,”
you say.
“Didn’t you spend
your money at the diner?”
“That didn’t stop
us at the liquor store.”
You lead her to
some 24-hour drug store. She waits outside while you go inside. You wander to
the rack with the condoms. You take a pack, and you start thinking about what
to do. You get a lucky break and some guy comes strolling in with a gun. You
use the opportunity to sneak out with your condoms while he empties the
register.
“Holy shit this
night has been wild,” she says when you meet her again outside. She thinks it’s
cute and funny that you’re doing these crazy things with her.
“Where should we
go?” you ask her.
“It doesn’t
matter, let’s find the nearest secluded spot and rape each other,” she says.
You wander with her for a while, and you find a pathway to some train tracks.
You walk down them for a little while, and end up with fences on either side of
the tracks, and almost no light. You and her half sit, half fall onto a patch
of dirt about twenty feet from the tracks.
You’re in love.
She thinks all
these crazy things are so cute and romantic, like some movie. By the time she
realizes what you’re doing, your pants are off and you’re working on hers. She
laughs. She thinks your eagerness is funny. She thinks everything is funny.
She’s great.
Here’s the moment,
the climax to your night, amongst other things. And it’s over. You breathe for
a second, and then reality finally comes rushing back to you. You’ve been
blocking it out progressively throughout the night, and it’s not even because
of alcohol. No more being willing to do literally anything to get laid. You
realize the terrible things you’ve done tonight. Someone could have gotten shot
at the drugstore. You could get arrested for what you did at the liquor store.
You’re also even farther from home than before, and you don’t even know where
you are. You’re just sitting here, next to this chick, who you now realize
probably won’t want anything to do with you once she’s sober. Like a deer in
the headlights, you’re frozen, no idea what to do. You just sit there, waiting
for the world to figure out what’s going to happen because you can’t.
She’s passed out
there. You don’t know what to do. You can’t wake her up now. She’d be sleeping
lighter if you’d roofied her. You can’t leave her alone next to these train
tracks, and you don’t want to sleep here. You can’t carry her down the tracks
far enough to get off of them either. You have no idea what you could possibly
do.
By morning, you’re
still there. You somewhat slept for a little while there, so you did make a
choice, sort of. She’s starting to stir. You pretend you’re asleep.
“Oh shit,” is the
first thing she says when she’s awake. You don’t know if it’s the hangover or
you, and you’re still pretending to be asleep. She shoves you to wake you up.
“Where are we?” she
asks.
“Train tracks,” you
say.
“No shit. Where
are these train tracks?”
“I don’t know. I
think we were walking around for an hour or two after we left the party.” you
say. That’s great; she doesn’t even know where you are. You get up, and she does too. You both start
walking. She won’t say anything to you, and you’re too nervous to say anything
to her. She walks ahead of you by a few feet, and you can’t catch up with her
no matter how hard you try.
You find society,
and she’s making a call. She’s still beautiful, like last night, but you
somehow can’t enjoy her beauty. It’s like she was projecting it at you last
night, and doesn’t want to project it anymore.
“So,“ you say,
pausing to try and break the awkwardness “you got a ride coming?”
“Yeah,” she tells
you. You think about asking her if you can ride with her, but then you think
that she might live even further from you. She stands, looking everywhere but
at you. It feels like hours before her friend shows up, and takes her away. Neither
of them says a thing to you. You reach for your phone, because calling for a
ride is the only way you’ll get home before tonight, or even later, and you
need to get away from here before the police find you. You left your phone at
the party.
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